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escapejournal: David (Michelangelo) Laocoön and His Sons Pietà (Michelangelo) Moses (Michelangelo) Apollo and Daphne (Bernini)
wasbella102: Jean-Etienne Liotard: Apollo and Daphne
earth-song: xantheose: Apollo and Daphne (by Irina▲Mattioli)
templeofapelles: Bernini, detail, Apollo and Daphne, 1622–25
2headedsnake: beatriz.carbonmade.com Beatriz Martin Vidal - Daphne and Apollo
theerinater: Bernini, Apollo and Daphne, 1625
barcarole:Bernini’s Apollo and Daphne at the Galleria Borghese in Rome, 2016. Photos by Stuart Franklin.
dhaaruni: “When Daphne transforms into a bay tree, the moment is one of both horror and deliverance. She is no longer what she once was, but the metamorphosis frees her from the unwanted attention of Apollo. This duality of horror and emancipation sits,
2headedsnake: Beatriz Martin Vidal ‘Dracula’ ‘Dissolving’ ‘Angel’ ‘Maid in the oak’ ‘Daphne and Apollo’
Apollo and Daphne
look-log: Gian Lorenzo Bernini, Apollo and Daphne (1622-25)
kecobe: Giovanni Battista Tiepolo (Italian; 1696–1770)Apollo Pursuing Daphne Oil on canvas, 1755–60 National Gallery of Art, Washington, D.C. As when th’ impatient greyhound slipt from far, Bounds o’er the glebe to course the fearful hare, She
void-dance: Sculpture by Gianlorenzo Bernini: Apollo and Daphne (1622-4)
templeofapelles: Gian Lorenzo Bernini (1598-1680) Detail, Apollo and Daphne, 1622-24 Galleria Borghese, Rome
older-than-vintage:Apollo and Daphne - by Roberto Ferri
sean-clancy:Apollo and Daphne by Irina Mattioli on Flickr.Models: Francesco and Ale
auxiliarity: Gian Lorenzo Bernini, Apollo and Daphne, 1622-1625
adapto: Apollo and Daphne
stresslesschaos:“Apollo and Daphne”, Gian Lorenzo Bernini.
emeraldverses:Apollo and Daphne, Gian Lorenzo BerniniGalleria Borghese, Rome
summerlilac: Apollo and Daphne (1688), Antoine Coypel II.
leuc: Bernini, Apollo and Daphne (Detail), 1622-25
johnnybravo20: Apollo and Daphne (by Yony_Ro) Edited by JohnnyBravo20
achasma: Apollo and Daphne (detail) by Jean-Etienne Liotard, c. 1736.
barcarole: Bernini’s Apollo and Daphne at the Galleria Borghese in Rome, 2016. Photos by Stuart Franklin.
niiv: niiv: I’m really excited to show you my new doll, even though I’m still working on her. She is Daphne, inspired by a famous and tragic Greek myth of Daphne and Apollo. It’s an ancient story about Stalking, which sadly, still seems as relevant
unfond: Bernini, Apollo and Daphne, detail, 1622–25.
ablative-absolute: “Apollo and Daphne” by Bernini at the Galleria Borghese From one side, Daphne looks more human than three; the other, more tree than human.
ilivefortheapplause: The inspiration behind the ARTPOP cover: “The Birth Of Venus“ by Botticelli: The goddess of Love, emerged from the sea as a fully grown woman, arriving at the sea-shore. “Apollo and Daphne” by Gian Lorenzo Bernini: The
The inspiration behind the ARTPOP cover: “The Birth Of Venus“ by Botticelli: The goddess of Love, emerged from the sea as a fully grown woman, arriving at the sea-shore. “Apollo and Daphne” by Gian Lorenzo Bernini: The battle between
Bernini, Apollo and Daphne, detail, 1622–25.
reals: Bernini Apollo And Daphne | Photographer
clara–lux: BERNINI, Gian Lorenzo (1598-1680) Apollo and Daphne, detail1622-1625marble, h. 243 cmGalleria Borghese, RomeEd. Orig. Lic.
